[UPDATE: please note that links to this article were previously being blocked and deleted from Facebook. This now appears to have been fixed.]
On Monday night, 17 February, a meeting was held at the College of Fine Arts in Sydney to discuss Transfield’s involvement in the 19th Biennale of Sydney. Despite the intensity and diversity of opinions at play it seems fair to say that a productive discussion was had. Credit for this must go to the organiser Zanny Begg, facilitator Wenny, and all those who participated.
In my view, a key achievement of the meeting was to clarify the relation between Transfield and the Biennale. Despite the distinctions that the Biennale and Transfield have made between different corporate entities the record of documents we saw indicates that Transfield as a whole is managed as a brand whose philanthropic arm is used to offset the risks involved in its commercial activities. Continue reading “The Biennale boycott and diversity of tactics*”